Varietal Records recently released a highly anticipated sophomore release from Jeremy Riddle, a release that did not disappoint. Riddle’s second full-length solo project for Varietal, “The Now and Not Yet” is a powerful record that combines themes of worship with the sonic textures of U2 and Coldplay, yet is delivered in a unique way.
Varietal Records is a sub-label of Vineyard Music, which historically has produced congregational worship albums. Riddle’s effort, however, goes beyond congregational worship on most songs. But the themes involved are deep and powerful. On Track 3, Prayer for the Church, Riddle calls for the church to live without comprimise, and in full integrity, and does it in a creative way that reaches the listener in a very non-churchy way.
The production on the album is absolutely stunning, and I have had my copy stuck in the CD player in my car for about a month. It’s really a great album. I’ll leave the witty album review up to others, but I recommend this record to anyone who likes good music, especially if you’re into U2.
A couple of the songs can be adapated for corporate worship. At Live Oak, we used “Christ Is Risen” for the weeks leading up to and including Easter, and the congregation was able to grab onto the song fairly quickly.
Here’s more from Christianity Today:
Jeremy Riddle
The Now and Not Yet (Varietal Records)
Released March 2009
reviewed by Andrew Greer
[3½ Stars - Good]
Sounds like … the energetic worship rock of Delirious and recent Sonicflood with the mainstream sensibility of U2 and vocal sensitivity of Coldplay’s Chris Martin.
At a glance … modern pop/rock worship with more emphasis on rock than pop.
Track Listing
1. Christ is Risen
2. Prepare the Way of the Lord
3. Prayer for the Church
4. Bless His Name
5. As Above, So Below
6. Among the Poor
7. One Thing
8. To be Like You
9. Surrendered in Praise
10. The One and the Only
11. Joyful Noise
12. I Am Redeemer
Jeremy Riddle considers himself more of a worship leader than a performing artist. And without a doubt, his years of experience leading worship corporately have heavily influenced his song catalog.
But Vineyard Music created Varietal Records, Riddle’s home base, with the implicit purpose of commercially exposing a wider audience to the unique voices and individual artistry of standout worship leaders and their songs.
In an effort to do just that, Riddle’s sophomore set, The Now and Not Yet, showcases layers of delayed guitars, thick programmed beats, and tons of gutsy vocals, giving the twelve-song set a broader commercial appeal than say, a Passion CD, and more grit than the acoustic leanings of Chris Tomlin’s best-known work.
Don’t be alarmed. Riddle is not shying away from his roots. Rather, in the same way Delirious fans have come to expect elements of a rock show during a night of worship, so Riddle is expanding his sonic platform to encompass broader audiences that will surely benefit from his modern hymnody.
Hitting it hard from the top, “Christ is Risen” boldly proclaims belief in Christ’s resurrection, coupling Riddle’s rock proclivities with congregation-ready lyrics in a perfect introduction to his corporate and commercial combo. Read the rest at ChristianityToday.com